Samuel Beckett Essentials |
Existentialism
Censorship
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What appears to the superficial view as a concentration on the sordid thus emerges as an attempt to grapple with the most essential aspects of the human condition. The two heroes of Waiting for Godot, for instance, are frequently referred to by critics as tramps, yet they were never described as such by Beckett. They are merely two human beings in the most basic human situation of being in the world and not knowing what they are there for. Since man is a rational being and cannot imagine that his being thrown into any situation should or could be entirely pointless, the two vaguely assume that their presence in the world, represented by an empty stage with a solitary tree, must be due to the fact that they are waiting for someone. But they have no positive evidence that this person, whom they call Godot, ever made such an appointment--or, indeed, that he actually exists. Their patient and passive waiting is contrasted by Beckett with the mindless and equally purposeless journeyings that fill the existence of a second pair of characters. In most dramatic literature the characters pursue well-defined objectives, seeking power, wealth, marriage with a desirable partner, or something of the sort. Yet, once they have attained these objectives, are they or the audience any nearer answering the basic questions that Beckett poses? Does the hero, having won his lady, really live with her happily ever after? That is apparently why Beckett chose to discard what he regarded as the inessential questions and began where other writing left off. |
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Philosophical Movements
Censorship
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