
Martin Heidegger has pointed to the foundation of the intersubjective relationship in dread. When a man decides to escape from the banality of anonymous existence--which hides the nothingness of existence, or the nonreality of its possibilities, behind the mask of daily concerns--his understanding of this nothingness leads him to choose the only unconditioned and insurmountable possibility that belongs to him: death. The possibility of death, unlike the possibilities that relate him to other things and to other men, isolates him. It is a certain possibility, not through its apodictic evidence but because it continuously weighs upon existence. To understand this possibility means to decide for it, to acknowledge "the possibility of the impossibility of any existence at all" and to live for death. The emotive tonality that accompanies this understanding is dread, through which man feels himself to be "face to face with the nothing' of the possible impossibility of [his] existence."
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